‘The Ornament of the World’ explores the world of medieval Spain

“The Ornament of the World” explores a story from the past that is especially relevant today: a remarkable time in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences. A fascinating journey through the cities at the center of the story — Cordoba, Seville, Toledo and Granada — the film reveals what made this rare and fruitful collaboration possible, and what ultimately tore it apart. Blending evocative location cinematography with dramatic animation, “The Ornament of the World” premieres on Arizona PBS on Tuesday, Dec. 17, at 7 p.m.

WATCH: “The Ornament of the World”

From 711, when Muslim armies swept across the Mediterranean, until 1492, when Christian power was consolidated under King Ferdinand and Queen Isabella, the era lasted almost 800 years. During this period, known as “La Convivencia,” the  intermingling of these three groups led to a vibrant shared culture of arts, architecture, science, music, and letters, raising Spain to dazzling heights of glory and power.

In today’s world, when Christianity, Judaism and Islam often seem more inclined to violent conflict rather than peaceful cooperation, few remember the period when the three monotheistic faiths lived together in relatively harmonious, mutually enriching cultures. “The Ornament of the World” explores the complexities and contradictions of this misunderstood era through a series of portraits of major figures. With stories as unexpected as they are riveting, they include Jewish and Christian thinkers writing in Arabic; Muslim conquerors building empires where Judaism and Christianity flourish; and a variety of poets, philosophers and religious leaders who helped define our ideas about religion, philosophy and human nature, asking questions that we continue to ask today.

Filmed on location, “The Ornament of the World” highlights stunning architectural wonders such as the Great Mosque of Cordoba, medieval synagogues in Toledo, the Alcazar in Seville, and the Alhambra in Granada. Changing little over the centuries, the historical areas of these cities  — with their cobbled streets, ancient mosques and tiny synagogues — bear powerful witness to the people who constructed them. The film also draws upon a rich trove of arts and artifacts and features illuminated manuscripts, frescoes, tiles, objects and paintings preserved at the Spanish National Archeological Museum in Madrid and elsewhere. Interviews with the late Maria Rosa Menocal and leading scholars in medieval Spain, Judeo-Islamic studies, art and architecture, Middle Eastern Studies and more bring valuable insights to the film.

Eight hundred years after Muslim armies first invaded Spain, the period of “La Convivencia” drew to a painful, prolonged and bloody close. By the early 16th century, King Ferdinand and Queen Isabella forced both Jews and Muslims to convert to Christianity, leave Spain, or be slaughtered. It was an ending so traumatic that it has obscured the story of a time and place where Muslims, Jews and Christians created a common culture, one whose legacy still continues today.

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